https://theresareimann-dubbers.net Theresa Reimann-Dubbers Tue, 24 May 2022 16:08:25 +0000 https://theresareimann-dubbers.net en https://theresareimann-dubbers.net/AI-Bingo-1 Tue, 24 May 2022 16:08:25 +0000 Theresa Reimann-Dubbers https://theresareimann-dubbers.net/AI-Bingo-1 <img width="1607" height="575" width_o="1607" height_o="575" data-src="https://freight.cargo.site/t/original/i/313c19c7da8ce162c934293bdde20c9432158252d088273363e658a27cee0e75/text-43.png" data-mid="144761123" border="0" data-scale="22" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/1000/i/313c19c7da8ce162c934293bdde20c9432158252d088273363e658a27cee0e75/text-43.png" /> Welcome to AI 🐂💩 BINGO! This is a small intervention for panels, keynotes and workshops on Artificial Intelligence (AI). It can be used at any tech conference to have some fun and analyse the conversations. Rather than blame or bash, we want to ask what is visible in the debate and what remains unseen. How to: Save or screenshot the AI 🐂💩&nbsp;BINGO cards below, each time a speaker uses a word or a situation occurs for the first time, draw on your image to mark the square on your Bingo card. Once you’ve marked 5 consecutive squares, shout BINGO. If you’re the first to shout, you’ve won the game! Don’t forget to share your game on social media using the hashtag #aibullshitbingo. With AI 🐂💩 BINGO, we want to… … show what is hyper-visible, and bring attention to what remains unseen … question the systems of belief in AI debates … approach AI playfully and humorously … ask critically which ways of imagination these words and phrases open up –and which possibilities they close down … spot the magic words that shape a debate … demonstrate how conversations on AI can be repetitive, and repetitive, and repetitive… … and obviously have fun! Find out more: Katrin Fritsch, Theresa Reimann-Dubbers and Dr. &nbsp;Julia Schneider created AI 🐂💩 BINGO.&nbsp;Get in touch with us for printed AI 🐂💩 BINGO cards.&nbsp; Tag us on twitter: Katrin @KatrinFritsch / Julia @docjsnyder Or Instagram: Theresa @theresardub / Julia @docjsnyder Find our websites here: www.katrinfritsch.com / www.theresareimann-dubbers.net /&nbsp; www.docjsnyder.net &nbsp; AI 🐂💩 BINGO is under a CC BY-NC-ND 4.0 DE licence. Save or screenshot the four unique Bingo cards below: <img width="1749" height="3108" width_o="1749" height_o="3108" data-src="https://freight.cargo.site/t/original/i/a9dcd37a7e6e61ba49fde5e23860790e099bd560807fc59b44d8abb4ef7b18ae/BingoCard_1.jpg" data-mid="144772731" border="0" src="https://freight.cargo.site/w/1000/i/a9dcd37a7e6e61ba49fde5e23860790e099bd560807fc59b44d8abb4ef7b18ae/BingoCard_1.jpg" /> <img width="1749" height="3109" width_o="1749" height_o="3109" data-src="https://freight.cargo.site/t/original/i/93c464b0651523c1fc1cbc6b246a4228b931a3694c4ee73bf413c2fba3334145/Info_1.jpg" data-mid="144773563" border="0" src="https://freight.cargo.site/w/1000/i/93c464b0651523c1fc1cbc6b246a4228b931a3694c4ee73bf413c2fba3334145/Info_1.jpg" /> <img width="1749" height="3108" width_o="1749" height_o="3108" data-src="https://freight.cargo.site/t/original/i/85b445cc923561ac6fcc6d53e80b2fa02f9aa8b6a3487dd792af413322399790/BingoCard_2.jpg" data-mid="144772736" border="0" src="https://freight.cargo.site/w/1000/i/85b445cc923561ac6fcc6d53e80b2fa02f9aa8b6a3487dd792af413322399790/BingoCard_2.jpg" /> <img width="1749" height="3109" width_o="1749" height_o="3109" data-src="https://freight.cargo.site/t/original/i/b588a11bd10e02fd990f9602d3fee983187c7b2004b580b767bfb0538ae43081/Info_2.jpg" data-mid="144773564" border="0" src="https://freight.cargo.site/w/1000/i/b588a11bd10e02fd990f9602d3fee983187c7b2004b580b767bfb0538ae43081/Info_2.jpg" /> <img width="1749" height="3108" width_o="1749" height_o="3108" data-src="https://freight.cargo.site/t/original/i/3724b9c47f8475536d99d0a0208faecd901226ec888096e5e016dc36baf88aa4/BingoCard_3.jpg" data-mid="144772740" border="0" src="https://freight.cargo.site/w/1000/i/3724b9c47f8475536d99d0a0208faecd901226ec888096e5e016dc36baf88aa4/BingoCard_3.jpg" /> <img width="1749" height="3109" width_o="1749" height_o="3109" data-src="https://freight.cargo.site/t/original/i/80e0b99f0a2e0b4cafb804958ec5f97473ae5171e52cf39a9851da0a6b23e496/Info_3.jpg" data-mid="144773565" border="0" src="https://freight.cargo.site/w/1000/i/80e0b99f0a2e0b4cafb804958ec5f97473ae5171e52cf39a9851da0a6b23e496/Info_3.jpg" /> <img width="1749" height="3108" width_o="1749" height_o="3108" data-src="https://freight.cargo.site/t/original/i/2a2f86c258d48ba413b2028e9d4883735c0c1f02cd128c7dc2f2ac7a82806b43/BingoCard_4.jpg" data-mid="144772747" border="0" src="https://freight.cargo.site/w/1000/i/2a2f86c258d48ba413b2028e9d4883735c0c1f02cd128c7dc2f2ac7a82806b43/BingoCard_4.jpg" /> <img width="1749" height="3109" width_o="1749" height_o="3109" data-src="https://freight.cargo.site/t/original/i/7c33e80d968e14b80cfbb914de20b3bef7e3033256f08280178feacabe194b93/Info_4.jpg" data-mid="144773566" border="0" src="https://freight.cargo.site/w/1000/i/7c33e80d968e14b80cfbb914de20b3bef7e3033256f08280178feacabe194b93/Info_4.jpg" /> https://theresareimann-dubbers.net/Home Sat, 11 Sep 2021 15:27:37 +0000 Theresa Reimann-Dubbers https://theresareimann-dubbers.net/Home Theresa Reimann-Dubbers (1992) investigates technological systems to find out where they come from&nbsp;and how they shape contemporary society. Using digital collage and spoken work to rearrange and piece&nbsp;together the evidence she collects, Reimann-Dubbers creates new metaphors to expose alternative&nbsp;perspectives on how we know and how we see. Reimann-Dubbers lives in Berlin. Previsouly she studied at the Berlin University of the Arts, the Royal&nbsp;College of Art London and Keio University in Tokyo. Reimann-Dubbers' work has been shown internationally&nbsp;at museums and festivals including Ars Electronica, NeurIPS, Science Gallery Dublin, Lodz Design Festival, ECCV, Focus Inside Festival, transmediale and CTM Vorspiel, East of Elsewhere, Today Art Museum, Studio Giardini, Silent Green, the&nbsp;2020 Daejeon Biennale and the 2024 Daejeon Biennale.&nbsp; CV instragram email https://theresareimann-dubbers.net/Postcards-from-the-Metaverse Thu, 10 Feb 2022 09:02:57 +0000 Theresa Reimann-Dubbers https://theresareimann-dubbers.net/Postcards-from-the-Metaverse Postcards from the Metaverse 2021 - 2024 Each postcard in the series ‘Postcards from the Metaverse’ is a record of what the artist saw and wrote down on one of her regular trips to the metaverse. Postcards in the year 2022 are smiled upon as a sweet medium of nostalgia. This medium however has always been about showcasing the new; new buildings, new products, new destinations, new infrastructure. Personal reports of new places sent to inform the people back home. The metaverse as an idea is not new, just newly mainstream since Mark Zuckerberg’s announcement of Meta. Writing in 2021, we can only speculate how exactly the metaverse will shift and obscure the borders of our reality. How issues of privacy, misinformation and harassment will spread through this expanding territory. But if we were to stand still for a moment and look, we can also see a place where clouds drift across the sky, people stand and stare at things and the bar has an ugly carpet. &nbsp; The first postcards in the series document trips to Decentraland. Here is a short text about the research behind ‘Postcards from the Metaverse’. Exhibited at Solaris, Berlin, Germany <img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/8eee52f7ff7c579683d7cd36491ced48a659ddb994df6f41917fe817c818c55d/E95A0362.jpg" data-mid="133050530" border="0" src="https://freight.cargo.site/w/1000/i/8eee52f7ff7c579683d7cd36491ced48a659ddb994df6f41917fe817c818c55d/E95A0362.jpg" /><img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/989783bfbc6e7dc770467a5dd3e36af2c8e358f03360bb58c09958d8d8efbc5a/E95A0204.jpg" data-mid="133050526" border="0" src="https://freight.cargo.site/w/1000/i/989783bfbc6e7dc770467a5dd3e36af2c8e358f03360bb58c09958d8d8efbc5a/E95A0204.jpg" /><img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/d7ef8bdeee3153c1e17638b40405a322360f8756b3c844dbcd0e59acd1f3173e/E95A0216.jpg" data-mid="133050528" border="0" src="https://freight.cargo.site/w/1000/i/d7ef8bdeee3153c1e17638b40405a322360f8756b3c844dbcd0e59acd1f3173e/E95A0216.jpg" /><img width="3554" height="5333" width_o="3554" height_o="5333" data-src="https://freight.cargo.site/t/original/i/3c34d5bd80fba1ecac074e9850dc8239eb39de51cc953e4d47d9184eba710a6a/IMG_6354.jpg" data-mid="133050531" border="0" src="https://freight.cargo.site/w/1000/i/3c34d5bd80fba1ecac074e9850dc8239eb39de51cc953e4d47d9184eba710a6a/IMG_6354.jpg" /> Photos by Gosia Lehmann https://theresareimann-dubbers.net/room-with-view Wed, 15 Sep 2021 13:40:59 +0000 Theresa Reimann-Dubbers https://theresareimann-dubbers.net/room-with-view room with view 2020 Stained glass windows are not there to let light enter –&nbsp;they are there to direct your gaze. 'room with view' is a video installation examining the opacity of the artificially intelligent gaze. The meandering audio-visual work flows through the fields of system subjectivity, belief in technology and the production of knowledge by humans and machines. In a setting that evokes a sacred space, a triptych of screens toggles between footage of stained glass windows illuminating an AI’s Messiah; desktop scenes where information is gathered and synthesised; and glimpses of humans behind glass. 'room with view' incorporates and builds on scenes from the artist’s previous work, 'A(.I.) Messianic Window' (2017), a series of stained glass windows depicting a neural network’s interpretation of the ‘Messiah’. The work made in early 2017 dissects the process of human bias passing into AI systems; and was a direct response to the eruption of AI into mainstream discourse following a breakthrough in machine learning research. Three years on, 'room with view' – whose symmetrical spatial arrangement is a nod to western architectures of worship –speculates upon the public experience of artificial intelligence in the current landscape: ingrained, omnipresent and obscured by banality. AI is an invisible film coating the surfaces of daily transactions: another semi permeable filter pushing forth its skewed world views. The ideas are explored through the medium of desktop choreography and screencasting. The flow of frames and windows and screenscapes opens a contemplative space in which the subjectivity and intransparency of artificial intelligence is represented through the metaphors of glass, windows, desktops and screens. Exhibited at the 2020 Daejeon Biennale, Daejeon, Korea <img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/beb2c2ab472d5645607ce11a5e0ba7834ac9adc923745eaa59248f05c6350281/room_with_view_2.jpg" data-mid="118989155" border="0" src="https://freight.cargo.site/w/1000/i/beb2c2ab472d5645607ce11a5e0ba7834ac9adc923745eaa59248f05c6350281/room_with_view_2.jpg" /><img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/3087b84b23c2ac3f203d3d89c295e8a3f437e496b20183a50ab0166f279651eb/room_with_view_1.jpg" data-mid="118989152" border="0" src="https://freight.cargo.site/w/1000/i/3087b84b23c2ac3f203d3d89c295e8a3f437e496b20183a50ab0166f279651eb/room_with_view_1.jpg" /> Photos by Studio Bow https://theresareimann-dubbers.net/Object-via-Glass Mon, 13 Sep 2021 09:09:18 +0000 Theresa Reimann-Dubbers https://theresareimann-dubbers.net/Object-via-Glass Object via Glass 2019 a performance of spoken word and desktop choreography. The piece looks at glass as a technology, as material and as metaphor. Focus is on the agency and subjectivity of the technology; from historical glass production to glass fibres in digital communication, the glass of screens and vitrines. Glass becomes a metaphor for the increasing agency and often hidden sub jectivity of emerging technologies that through which we look to see and perceive the world. Performed at Studio Giardini, Venice; Silent Green, Berlin&nbsp; <img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/24a14d71573eb63be557996fbe7d3b0ff99bd6da993544b90538154709fafdd1/StrangeThings-5956.jpg" data-mid="118769286" border="0" src="https://freight.cargo.site/w/1000/i/24a14d71573eb63be557996fbe7d3b0ff99bd6da993544b90538154709fafdd1/StrangeThings-5956.jpg" /><img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/7d2913baf3423e348133191e0f5a6144fc5dc142c2386e3fda6279f7a7fee3da/StrangeThings-5959.jpg" data-mid="118769287" border="0" src="https://freight.cargo.site/w/1000/i/7d2913baf3423e348133191e0f5a6144fc5dc142c2386e3fda6279f7a7fee3da/StrangeThings-5959.jpg" /><img width="2876" height="1610" width_o="2876" height_o="1610" data-src="https://freight.cargo.site/t/original/i/642703ec25385f084211c0c07b883306fd7bcaa981f401cb1a1407ea1029f6ce/Screen-Shot-2020-05-29-at-08.53.39.png" data-mid="133596501" border="0" src="https://freight.cargo.site/w/1000/i/642703ec25385f084211c0c07b883306fd7bcaa981f401cb1a1407ea1029f6ce/Screen-Shot-2020-05-29-at-08.53.39.png" /><img width="2878" height="1608" width_o="2878" height_o="1608" data-src="https://freight.cargo.site/t/original/i/86e68d0b5443c72c29d4191c852a7de821eb7de524def22309cbb063855d68d3/Screen-Shot-2020-05-29-at-08.50.47.png" data-mid="133596496" border="0" src="https://freight.cargo.site/w/1000/i/86e68d0b5443c72c29d4191c852a7de821eb7de524def22309cbb063855d68d3/Screen-Shot-2020-05-29-at-08.50.47.png" /> <img width="2876" height="1614" width_o="2876" height_o="1614" data-src="https://freight.cargo.site/t/original/i/59c3f9a5f915631e355e7262b75e03629e2a47b015cae805444a6f8311f8ba75/Screen-Shot-2020-05-29-at-08.54.53.png" data-mid="133596505" border="0" src="https://freight.cargo.site/w/1000/i/59c3f9a5f915631e355e7262b75e03629e2a47b015cae805444a6f8311f8ba75/Screen-Shot-2020-05-29-at-08.54.53.png" /><img width="2868" height="1604" width_o="2868" height_o="1604" data-src="https://freight.cargo.site/t/original/i/6b890ef2bfd42b68c87a74b2f62fca285cc08f1c915d690b304d6ece803864c1/Screen-Shot-2020-05-29-at-08.54.26.png" data-mid="133596504" border="0" src="https://freight.cargo.site/w/1000/i/6b890ef2bfd42b68c87a74b2f62fca285cc08f1c915d690b304d6ece803864c1/Screen-Shot-2020-05-29-at-08.54.26.png" /><img width="2876" height="1602" width_o="2876" height_o="1602" data-src="https://freight.cargo.site/t/original/i/89299cd2a21c7b4588419d9eec9bde7a8b4cd2cd109bff5a604d3e51a3e164a8/Screen-Shot-2020-05-29-at-08.55.51.png" data-mid="133596508" border="0" src="https://freight.cargo.site/w/1000/i/89299cd2a21c7b4588419d9eec9bde7a8b4cd2cd109bff5a604d3e51a3e164a8/Screen-Shot-2020-05-29-at-08.55.51.png" /> Photos by Merani Schilcher Screenshots by Theresa Reimann-Dubbers https://theresareimann-dubbers.net/A-I-Messianic-Window Sun, 12 Sep 2021 14:30:08 +0000 Theresa Reimann-Dubbers https://theresareimann-dubbers.net/A-I-Messianic-Window A(.I.) Messianic Window 2017 A project addressing A.I.’s potential oversimplification of human concepts that have evolved to great complexity over time. The stained glass window depicts an artificial intelligence’ interpretation of the term Messiah. The context of A(.I.) Messianic Window is the current trend of applying humanistic, cultural and non-universally defined concepts to artificial intelligence. Machines become intelligent by being fed with information about the world. Who is feeding them and selecting this information? What biases and perspectives are being transferred to the machines? Religion is one such nuanced concept, understanding of it differs vastly throughout the world. The term Messiah can refer to different figures or ideas depending on one’s religious belief. Pioneering A.I. research is predominantly situated in the United States, where 70% of the population identify as Christians. To highlight potential western bias resulting from this, Religion will be simplified to mean Christianity, therefore, the term Messiah will be represented by Jesus Christ. Using artistic impressions of Jesus Christ to train a Deep Convolutional Generative Adversarial Network (DCGAN) and subsequently generate images, I obtained an Artificial Intelligence’ interpretation of the term Messiah. These generated images are then placed back into a sacral and didactic presentation format. Exhibited at Ars Electronica, Linz; Studio Giardini, Venice <img width="2040" height="1360" width_o="2040" height_o="1360" data-src="https://freight.cargo.site/t/original/i/5ea200c9c171bc99f5250f989622cdcb6004386f5619923e383ddca856f33730/Hourglass-014.jpg" data-mid="118684464" border="0" src="https://freight.cargo.site/w/1000/i/5ea200c9c171bc99f5250f989622cdcb6004386f5619923e383ddca856f33730/Hourglass-014.jpg" /><img width="2040" height="2720" width_o="2040" height_o="2720" data-src="https://freight.cargo.site/t/original/i/8d218c5691866ec4eecb4a9ad4e11fb2cbe8952e507cc3f32b2207440344d6a0/IMG_9027.JPG" data-mid="118684466" border="0" src="https://freight.cargo.site/w/1000/i/8d218c5691866ec4eecb4a9ad4e11fb2cbe8952e507cc3f32b2207440344d6a0/IMG_9027.JPG" /><img width="2040" height="1360" width_o="2040" height_o="1360" data-src="https://freight.cargo.site/t/original/i/7cc023735e8fd30873b282fd8d709b63dd884dcfcc442d7bb22371e990915f85/Hourglass-015.jpg" data-mid="118684465" border="0" src="https://freight.cargo.site/w/1000/i/7cc023735e8fd30873b282fd8d709b63dd884dcfcc442d7bb22371e990915f85/Hourglass-015.jpg" />Photos by Love Enqvist https://theresareimann-dubbers.net/Standby-Skin Fri, 01 May 2020 19:23:45 +0000 Theresa Reimann-Dubbers https://theresareimann-dubbers.net/Standby-Skin Standby Skin 2019 SpectacleDisplay in arenaSkin on displaySkin streamed to screens Sideline skinSideline towel screens skinSkin on standbyStandby screen Exhibited at Lagoon Parliament “Falling Upwards” <img width="2362" height="2940" width_o="2362" height_o="2940" data-src="https://freight.cargo.site/t/original/i/ec24a1b311ca8bf0692df1e316a38cce58286ea42d67a9f81537f27d1000d846/standby_skin-copy.jpg" data-mid="118537345" border="0" src="https://freight.cargo.site/w/1000/i/ec24a1b311ca8bf0692df1e316a38cce58286ea42d67a9f81537f27d1000d846/standby_skin-copy.jpg" /><img width="2362" height="2937" width_o="2362" height_o="2937" data-src="https://freight.cargo.site/t/original/i/db72bec1e72c6230f4779d03c5243f3e3c3477e3415f98490eff0a35275af401/standby_skin1.jpg" data-mid="118537346" border="0" src="https://freight.cargo.site/w/1000/i/db72bec1e72c6230f4779d03c5243f3e3c3477e3415f98490eff0a35275af401/standby_skin1.jpg" /> https://theresareimann-dubbers.net/Falling-Upwards-by-Lagoon-Parliament Tue, 15 Feb 2022 17:04:37 +0000 Theresa Reimann-Dubbers https://theresareimann-dubbers.net/Falling-Upwards-by-Lagoon-Parliament Falling Upwards 2019 group exhibition and performance series produced by Lagoon Parliament. Lagoon Parliament’s second production shines a spotlight on the very extremes of physicality. Falling Upwards is inspired by contact sports where a fallen body is a defeated body, where sweat and hormones drip from duelling muscles, confrontation seeks cathartic heat and rituals of friction cause fictional injuries that penetrate human flesh. The gallery space is an arena housing a central ring, mesh banners suspended from the ceiling lead to the circular platform – site of performance and participatory games. An installation containing a leaked WrestleMania narrative hangs above the contestants’ heads. A console adjacent to the ring invites viewers to battle each other as Trump v. News channel in an 8 bit video game. Lining the main gallery space on either side are large digital collages mounted on metal frames which address meme wars waged between the Alt-Right and the Left where internet “freedom fighters” clash over causes of “Anomie” – a feeling of alienation and widespread loss of meaning. A series of video works explores the symbolic status and societal roles of one-on-one combat as spectacle. A separate room at the back of the main space is darkened and insulated, it is a cavity that draws visitors into the folds and sounds of the inner body where show and artifice are stripped away to reveal the soft, hidden face under the mask. Exhibition text by&nbsp;Theresa Reimann-Dubbers Credits Produced by Lagoon Parliament at 2 OG Alte Münze&nbsp; Talk Show ‘I’ll Die for You/ The Greatest Show’ with Bruno Siegrist and sound effects by Zorza ‘Battle’ performances choreographed by Emma Bäcklund Drums: Fumihiro Ono Flute: Phoebe Bognár Photo Credits: Andy King Graphic design: Andy KingLive Camera: Ranav Adhikari&nbsp; <img width="1200" height="809" width_o="1200" height_o="809" data-src="https://freight.cargo.site/t/original/i/4f557510a12ec09dd6e2bdd1aca5ac848f5866cc8f05748ea7ad90f0f09cde69/falling2-1200x809.jpg" data-mid="133582063" border="0" src="https://freight.cargo.site/w/1000/i/4f557510a12ec09dd6e2bdd1aca5ac848f5866cc8f05748ea7ad90f0f09cde69/falling2-1200x809.jpg" /> <img width="1181" height="863" width_o="1181" height_o="863" data-src="https://freight.cargo.site/t/original/i/f719d5acce436526f157174b9456c99df3776ba39f49effe8de40e8493097398/falling02.jpg" data-mid="133582064" border="0" src="https://freight.cargo.site/w/1000/i/f719d5acce436526f157174b9456c99df3776ba39f49effe8de40e8493097398/falling02.jpg" /><img width="857" height="857" width_o="857" height_o="857" data-src="https://freight.cargo.site/t/original/i/c15397cb3473961bf598538276b509d892f35c516a8393be6d6566c023fafc43/falling4_web.jpg" data-mid="133582066" border="0" src="https://freight.cargo.site/w/857/i/c15397cb3473961bf598538276b509d892f35c516a8393be6d6566c023fafc43/falling4_web.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/6d156cd1bbf45a85bfa61ecc0912d28fc12b1e39556e2c82f94d510243118c37/greatestshow2_web-1200x800.jpg" data-mid="133582067" border="0" src="https://freight.cargo.site/w/1000/i/6d156cd1bbf45a85bfa61ecc0912d28fc12b1e39556e2c82f94d510243118c37/greatestshow2_web-1200x800.jpg" /><img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c67d8a7ca922c4f8246bc31fa7d8fcf07fdef7ac1a0b36e2af46a0f6ccb5762d/greatestshow3_web-800x1200.jpg" data-mid="133582068" border="0" src="https://freight.cargo.site/w/800/i/c67d8a7ca922c4f8246bc31fa7d8fcf07fdef7ac1a0b36e2af46a0f6ccb5762d/greatestshow3_web-800x1200.jpg" /><img width="985" height="657" width_o="985" height_o="657" data-src="https://freight.cargo.site/t/original/i/67281cdd8128b3eab555415b1772a6777bf022ee8c54c928974ada956f58dc19/falling.jpg" data-mid="133582062" border="0" src="https://freight.cargo.site/w/985/i/67281cdd8128b3eab555415b1772a6777bf022ee8c54c928974ada956f58dc19/falling.jpg" /><img width="1198" height="1198" width_o="1198" height_o="1198" data-src="https://freight.cargo.site/t/original/i/6ede09a0f019470611a7051863e19bda5cc48340522842f29697421ec74df3b4/falling3_web.jpg" data-mid="133582065" border="0" src="https://freight.cargo.site/w/1000/i/6ede09a0f019470611a7051863e19bda5cc48340522842f29697421ec74df3b4/falling3_web.jpg" /><img width="1061" height="1500" width_o="1061" height_o="1500" data-src="https://freight.cargo.site/t/original/i/28401a0262870cdb7fe16fc2966d10734e92f52e8a0bf988b00aac1de26e02c7/web_falling_upwards_poster.jpg" data-mid="133582086" border="0" src="https://freight.cargo.site/w/1000/i/28401a0262870cdb7fe16fc2966d10734e92f52e8a0bf988b00aac1de26e02c7/web_falling_upwards_poster.jpg" /> https://theresareimann-dubbers.net/The-Business-of-Aeroplane-Windows Fri, 29 May 2020 10:34:23 +0000 Theresa Reimann-Dubbers https://theresareimann-dubbers.net/The-Business-of-Aeroplane-Windows The Business of Aeroplane Windows 2019 Window as structural element of passenger plane bodyas rhythmically occurring pore on interior polymer panel windows in series concentric ovals beige oval within beige oval with beige eyelidOpenpre takeoff eyes open onto tarmacwhere back end airport business is conducted in high visibility Boarding completed pre flight suspensiontime slips into aircon vortexanaesthetic air circulates cabinAcclimatisation Calibration of body to the architecture of 71A Takeoff The oval view is in motionI am motioned to screen out the window viewto close beige lid Light interfering with backlit screenBacklight onScreen on My view is reroutedbecause my view counts View countView channelled into tracked territoryin-flight entertainment prescription Grid of channels on menuI select flight tracker see myself tracked through space through eyes that are not mineRemote digital prosthetics I toggle between surrogate lensesfront of plane eyessatellite eyessuspect hybrid eyesbionic eye at 71A looks through beige window screenAssembling pixeled view on screen Screening window that is screened offTemporary stereo vision A suspicious trajectory whereineye favours screened windows No trajectory visible in plane eyesPosition of self unconfirmedSelf reflected on screenPlane self on screen I am planea particle in travelling hazetravelling in counted spaceClouds computed Satellite with umbilical chord Looped inPlugged in terminal mouthsfed and feeding back prescribed biteshanded out through window ConsumptionTraded for the view This is the business of windows Performed at Lagoon Parliament, Berlin <img width="794" height="1414" width_o="794" height_o="1414" data-src="https://freight.cargo.site/t/original/i/bd66c3c14eabeeaaa8ec91006783a3dd29da5eeadfc6e09f96509aa0e41ff01e/Screen-Shot-2020-05-29-at-12.27.32.png" data-mid="118537416" border="0" src="https://freight.cargo.site/w/794/i/bd66c3c14eabeeaaa8ec91006783a3dd29da5eeadfc6e09f96509aa0e41ff01e/Screen-Shot-2020-05-29-at-12.27.32.png" /> <img width="784" height="1164" width_o="784" height_o="1164" data-src="https://freight.cargo.site/t/original/i/3dab0717d866826e04e76a84b47f43417733b192718994f51fc974f81ae85bd0/Screen-Shot-2020-05-29-at-12.27.43.png" data-mid="118537417" border="0" src="https://freight.cargo.site/w/784/i/3dab0717d866826e04e76a84b47f43417733b192718994f51fc974f81ae85bd0/Screen-Shot-2020-05-29-at-12.27.43.png" /> <img width="794" height="1276" width_o="794" height_o="1276" data-src="https://freight.cargo.site/t/original/i/c4d023b2f3fff883ad8759a4ac5580ac5931b64054e8fe065489f7480634f828/Screen-Shot-2020-05-29-at-12.28.24.png" data-mid="118537418" border="0" src="https://freight.cargo.site/w/794/i/c4d023b2f3fff883ad8759a4ac5580ac5931b64054e8fe065489f7480634f828/Screen-Shot-2020-05-29-at-12.28.24.png" /> <img width="1106" height="1596" width_o="1106" height_o="1596" data-src="https://freight.cargo.site/t/original/i/27a0c2052407765e19c6daf468cdf3ae66f3a8fc9a1f3a66a261da099d24d04a/Screen-Shot-2020-05-29-at-12.34.06.png" data-mid="118537421" border="0" src="https://freight.cargo.site/w/1000/i/27a0c2052407765e19c6daf468cdf3ae66f3a8fc9a1f3a66a261da099d24d04a/Screen-Shot-2020-05-29-at-12.34.06.png" /> https://theresareimann-dubbers.net/Departure-Arrival-Return-by-Lagoon-Parliament Tue, 15 Feb 2022 17:45:11 +0000 Theresa Reimann-Dubbers https://theresareimann-dubbers.net/Departure-Arrival-Return-by-Lagoon-Parliament Departure | Arrival | Return 2019 a group exhibition and performance series produced by Lagoon Parliament that took place during the last weekend of January at Kunsthaus KuLe as part of CTM and Transmediale Vorspiel 2019. The space is transformed into a fictive travel agency playing with alternate concepts of time and metaphorical ideas around place and placelessness. We invite you&nbsp;into a hybrid place between real and fictive atmospheres to encounter a manipulated sense of displacement and abundance. A series of video works explores the symbolic status and societal roles of one-on-one combat as spectacle. A separate room at the back of the main space is darkened and insulated, it is a cavity that draws visitors into the folds and sounds of the inner body where show and artifice are stripped away to reveal the soft, hidden face under the mask. The first event (Departure) starts with a festive takeoff evaporating you from familiar ground with concerts and performances. Departure invites you to a harmonious sleepover after which you will awake into the next event (Arrival). Here you will be served a cosmic breakfast, workshops, screenings and performances. The last event (Return) interrogates the notion of customs and whether a return is ever really possible. Exhibition text by Theresa Reimann-Dubbers Credits Produced by Lagoon Parliament at Kunsthaus KuLe Guest Artists: Bruno Siegrist, Dovile Aleksaite, Lukas Grundmann, Jacob Eriksen, Felipe Vaz, Kurort Spandau, MOUTH (Katrine Hoffmeyer Tougard and Hugo Esquinca), Mattin, Lugh O´Neil Photo credits: Andy King Graphic design by&nbsp;Andy King <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/ff109e138b05adeb7600ba3067d3bd4aed4c7243b8fe803a7081dcfc3f18c6b7/lp_exhibition-1200x800.jpg" data-mid="133586514" border="0" src="https://freight.cargo.site/w/1000/i/ff109e138b05adeb7600ba3067d3bd4aed4c7243b8fe803a7081dcfc3f18c6b7/lp_exhibition-1200x800.jpg" /> <img width="1181" height="788" width_o="1181" height_o="788" data-src="https://freight.cargo.site/t/original/i/f0025148fcc48f9d3dd5a58e360c33a0e6a51dbbf0766d59ae780e6bf61b7ffb/lp_exhibition3.jpg" data-mid="133586515" border="0" 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